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20 Million Miles To Earth (50th Anniversary Edition) :: 0826113877
Description
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| Special-effects legend Ray Harryhausen's stop-motion talents and "Dynamation" (rear-projection) process are the highlights of the '50s-era creature feature 20 Million Miles to Earth. An American spaceship returns to Earth after a mission to Venus and crashes into the sea near Sicily. A sole survivor (William Hopper) is rescued, along with a specimen that quickly grows into a reptilian biped called the Ymir. The being eventually grows to 20 feet high and escapes its confines, whereupon it rampages through Rome before a showdown with the military. Despite lacking much of a personality, the Ymir is a marvelous showcase for Harryhausen's skills. Unfortunately, the rest of the film does not match his level of excellence; direction by Nathan Juran is perfunctory (his later collaborations with Harryhausen, including The Seventh Voyage of Sinbad, are more lively), and performances and scripting are flat. Still, Harryhausen fans should enjoy this opportunity to see this phase of his career before he created his most enduring works. --Paul Gaita Editorial Descriptions are usually submitted by the manufacturers, publishers and authors. Contact us if you are one of them, and wish to change the above description. |
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Author: Guest
All you have to say is "Colorize" to me and I'll be glad to shell out my hard earned money. Any movie, even one's I don't like, I'll buy if it's colorized. I love the new colorization effect, it's totally real and accurate. "It's not your father's colorization anymore." The new system is accurate and completely real looking. Best examples, Bewitched Season 2, Sherlock Holmes movies, and I Dream Of Jeanie Season 1. The color in 20 Million Miles is accurate and totally real looking. Any movie that's colorized is a vast improvement over the drab dated look of a b/w movie. Now that Colorization has been absolutely perfected, it's time for the purists and snobs out there who have been trying to kill colorization for years to admit the truth. Any colorized movie is better than a b/w version. Now, this is esp. for you snobs out there who refuse to admit the obvious benefits of colorization. I now want to see Citizen Kane in color!! Then my life will be complete! Colorize Citizen Kane, then colorize I Love Lucy, Honeymooners, Dennis The Menace, and every b/w movie ever made. Colorize it all, I LOVE IT!!!
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Author: Guest
I've just finished watching this 2 disc *COLORIZED* & B&W 50TH ANNIVERSARY SET, released July 31, 2007. I, like many other RAY HARRYHAUSEN fans already have the originally released SINGLE DISC DVD's of his movies (in that case the cover for 20MMTE has the Ymir image over orange "rings"). Is this worth an upgrade? How's the colorization? I'll try to cover this reviewer's opinions on that.
COLORIZATION: THE *MAIN* reason to get this IMHO is to see what a "sanctioned" colorization of an RH B&W film looks like. FOR THE RECORD: Typically, I am more of a "if it ain't broke, don't fix it" kinda guy. In this case, even with RH's blessings, I didn't think 20M *needed* coloring, but I sure wasn't going to argue if the option to get a B&W print of the film was in the same DVD release, which it is. It should be noted here, that while watching this in color, if for any reason you feel too jarred by the whole process, you can switch to the original B&W print SEAMLESSLY via the "ANGLE" button on your remote (so called "CHROMACHOICE")....pretty cool, and this function should be made available on ANY future colorized/re-edited film if ya ask me. I spent the first part of the movie tinkering with this to see the differences. RH has green lit and is totally part of this coloring thing so that is cool. Someone pointed out and asked why is it OK for RH to tinker with his old stuff and not GEORGE LUCAS (RH said if they had the budget, these B&W films would've been in color)....well....HERE, they give us the option of EITHER to watch. Something LUCAS did not originally do, yet insisted with the revisions, that those were THE PRINTS TO WATCH. HERE, it is like watching an old master revisit an old project and watching him tinker with it, yet we still can control how we "percieve" the film (i.e. the way it was, or way it could've been....for those who must hold onto those precious childhood memories EXACTLY as they were...cuz you know you were sitting at home watching these on a DIGITAL WS TV back then...lol;-).
HOW'S THE COLOR?: If you saw the TURNER COLORIZED 1933 KING KONG and were horrified at the PINK TYRANNOSAURUS, then fear not. According to Legend Films, the process is now refined, new system etc etc, and those old school colorization horrors are no more. But the proof is in the viewing. YES, the process is MUCH, MUCH BETTER. I've picked up a number of LEGEND FILMS's other colorized releases (CARNIVAL OF SOULS, HOUSE ON HAUNTED HILLS, NIGHT OF THE LIVING DEAD etc) because the colorization was decent and had the (pretty darn good) B&W masters on them as well. HERE, it is the BEST I've seen the process. Of course, when talking colorization, the film, no matter how good the technology, STILL LOOKS LIKE THE OLD TINTED PHOTOS YOU USED TO SEE IN OLD MAGAZINES & ADS. But then, that is what you get, tinting B&W, so it is essentially part of the look. Growing up on old school stuff, this tinting thing was cool to me so seeing a film this way was never such a big shock to me as it is to some. But again, so long as the option to see the original is there. IF this is what to expect in future RH films, I'll certainly pick up the rest. The colors are feel more lush....flesh looks MORE LIKE FLESH, it's still somewhat flat, but there's a richness not present in other colorized films I've seen, and sorry to the purists, the YMIR (the monster) is just cool to see in color finally even if his fins and other lighter details appear a little flat & dulled. I always wondered as a kid what he looked like in color. Many old lobby cards were tinted so this just keeps in line with those, so it works AS A VIEWING OPTION to me.
THE B&W PRINT: Honestly, if you have the original DVD release of this, you may want to rent this first to see if this film is important enough for you to upgrade. THERE ARE DIFFERENCES, i.e. this release appears to have the best of the two DVD released prints, it feels cleaner, BUT, I think those details/plusses will be lost if you have a regular TV to watch this on. I am using a HD WIDESCREEN/LCD and upsampling via HDMI (a glamorous version of "standard" lol!;-) so I can't tell you what the differences would be in standard viewing, but I can't see them being all THAT different to warrant an upgrade, UNLESS like myself you want to see the novelty of colorization at work. The original (orange cover) release had a really good print on it to begin with so I never felt this was needing an upgrade.
BOTH FILM VERSIONS ARE ASPECT RATIO- 1.85:1 ANAMORPHIC. Remastered in HI-DEF. 165min. total. Apparently this was sourced from a different/better source print from Columbia/Sony vaults. SF's are WS.
SPECIAL FEATURES: GONE from before are the HARRYHAUSEN CHRONICLES thankfully, which was on nearly every d@mn RH DVD. Nice the first time, but 5 DVD's in, it was tired. HERE, there's the commentary track which is cool in some parts, but it starts feeling like a plug for the colorization process and fan worship....hearing RH proclaim how the colorization just brings the movie to life repeatedly was a little bothersome, since it is cool/interesting, but hey, it's still a colorization of an originally B&W film, no matter WHOM sanctions the process....but this is RH's film, so I gotta give a little room here. And though I think RH has gone from cult fan favorite to (much deserved) mainstream praise, as another reviewer stated, this praise has started to turn into overkill when having to listen to it, as is the case here. The commentary is riddled with praising of the emotive qualities of the animation work (which is deserved) but after hearing this over and over, the praise just becomes more kissy-kissy feeling than genuine. But then, many RH fans have thought highly of his work already and recognized these qualities so it's like preaching to the choir, so having it beaten into our heads for a whole discs worth of SPECIAL FEATURES becomes a little tedious.
The MAIN SPECIAL FEATURE is 'REMEMBERING 20MMTE"......which was pretty cool to watch a feature just on the film. It was also nice to hear TERRY GILLIUM (Director whose name I can't rememeber how to spell right this second), but hearing him actually say the main reason to watch an RH film was the animation since most of the acting was wooden....lol! I almost can't believe they left that in, but how true! TIM BURTONS segment was cool the first several minutes.....nice to see him be just a fanboy. But that got long. I also noticed here, that much of the RH features are starting to become retellings of the same stories I've heard over and over. I'm not really complaining, but rehashing is rehashing....and I understand some people aren't buying every d@mn disc like some of us are (*ahem*ahem*). TIM BURTON's piece was welcome though. The JOAN TAYLOR INTERVIEW was a little long considering it is not focused TOTALLY on RH (understandably), though interesting to hear her film background. AND WOW....SHE IS STILL A BEAUTY. Her endcap praise of RH was very nice and shows what a long way in terms of respect RH has come since he started. It's almost odd to hear people didn't really have a clue about what he was doing and the craftsmanship this one man show was up to back in the day.
DAVID SCHECTER's FILM MUSIC UNSUNG HERO piece on the composer whose long name escapes me, but the guy who scored this and other B-movies, mostly the monster theme scores was surprisingly interesting to me since I almost passed on viewing it. That provided some excellent bits of info on the scoring process. But it became waaaaay too much info for me after awhile, my brain started losing places to save all this trivia.
COLORIZATION FEATURE: Interesting to see the process described, though that felt a little self congratulatory, falling into the OK, I GET IT, COLORIZATION HAS COME A LONG WAY category of overkill ideas to pound into the viewer's heads. But still.....interesting to watch, and RH is in this.
OVERALL: This was worth an upgrade for me. The coloring was as excellent as could be, and I won't scream about touching an old B&W film, since the option for watching either is here. You can be sure if LEGEND releases KING KONG colored (their way) I'll pick it up. The praise of RH seems a bit redundant (but AGAIN, this is from someone who's felt he's had this a long time coming and doesn't need to be brought up to speed), but it seems now like every release is trying to catch the rest of the world up with RH's greatness as a creator, so it sometimes is hard to watch as a true diehard RH fan who doesn't need to be told this. The technical stuff is informative.....the old stories etc etc.....but I have to wonder how the next colored releases will fare in terms of content (EARTH VS. THE FLYING SAUCCERS, IT CAME FROM BENEATH THE SEA) since the process (both animation AND colorization are described in depth here). ALSO, the old stories.........is there really any fresh info to be gleaned at this point? And where are the deleted scenes....even millisecond animation cutting room floor tidbits...anything. Guess we'll see.
But THANKS TO SONY/LEGEND for making an overall, really good DVD release of this film. I'm certainly NOT complaining that I snuck away at lunch yesterday to pick this up:-) !!! IF I just discovered RH, this would be an excellent package. It still holds up well for us diehards....at least this one. Hope this helps some of you out there!
PS: And BTW: AMAZON so far seems to have the best price if you can wait and order online.
PSS: And since I believe Amazon's reviews are PRODUCT REVIEWS, my stars are based on my feelings toward this as a package. THE FILM ITSELF IS MORE LIKE A 3.75/4 (sorry....the acting is fabulously atrocious in parts).
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Author: Guest
I saw a screening of this film at the San Diego Comic-Con on July 27, 2007. If you didn't know this film wasn't originally in color, I don't think you could tell. The colors look great. Flesh tones, which gave previous colorizations a lot of trouble, look very natural. The colors in general are very natural, looking very much like colors used in similar films from the 1950s. In the process of colorization, the producers were also able to take out some matte lines and generally clean up the images, making this a very nice print to see and enjoy. I am looking forward to getting the DVD with Ray Harryhausen's extended commentary. Mr. Harryhausen was at the San Diego screening providing live commentary, but it was fairly minimal. It's always a joy to see any film by Ray Harryhausen, and this film can be enjoyed even more now that it is in color the way it was originally intended.
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Author: Guest
I shy away from reviews about DVDs that haven't even come out yet, but I felt I needed to do one myself here now. When I read recently that Harryhausen is doing a colorized version of 20 Million Miles to Earth and that he plans on doing that to his other titles, I felt concerned. The reason for this isn't that I am anti-colorization (which I am), but rather when it was announced that the classic She was to be colorized, I fell into my, "No black and white movies should be colorized." However, when I read that Harryhausen would supervise it, I felt this was a man of respect and maybe it will turn out to be okay. Unfortunately, the colorization of She wasn't much different that the previous films we have seen go through that terrible process. I was only grateful that the She edition also contained a new black and white print on it. But now he is doing it again with 20 Million and will do it with others of his. Since these were movies that he had a hand in, I guess he may have a right. But after the experience of She only several months ago, I hold no hopes on the future products. I only hope he will always have a b&w new print on the DVD as well.
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Author: Guest
Like most people, I am generally against colorization. However, there is one situation where I am willing to keep an open mind.The exception is where a movie might have been filmed in color had the budget not been the overriding factor. This is why I think you must never colorize Citizen Kane or Casablanca, but you might consider colorizing Miracle On 34th Street or......20 Million Miles To Earth.
From what I understand, 20 Million Miles To Earth would have been filmed in color had there been enough of a budget to allow it. It is entirely possible that the film will not look good in color. There have been as many technical problems with colorization as there have been aesthetic issues, such as the way colors seem to run during quick sideways motion.
However, the fact that the legendary Ray Harryhausen is supervising the colorization of one of his earlier features makes this one of the most promising experiments in the dubious history of colorization. This is not Ted Turner with a Venus Paradise Coloring Set. This is one more opportunity to see a master put his stamp on something, as we saw with the Early Harryhausen DVD triumph of a few years ago.
I'm looking forward to see how this all works out. If it doesn't, perhaps it will spell the death of Colorization. Sounds like a win-win proposition to me.
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