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Texas Flood (1841622052)
Description
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| This legendary 1983 debut by the fallen torchbearer of the '80s-'90s blues revival sounds even more dramatic in its remixed and expanded edition. Stevie Ray Vaughan's guitar and vocals are a bit brighter and more present on this 14-track CD. And the newly included bonus numbers (an incendiary studio version of the slow blues "Tin Pan Alley" that was left off the original release, and live takes of "Testify," "Mary Had a Little Lamb," and the instrumental "Wham!" from a 1983 Hollywood concert) illuminate the raw soul and passion that propelled his artistry even when he was under the spell of drug addiction. Texas Flood captures Vaughan as rockin' blues purist, paying tribute in his inspired six-string diction to his influences Larry Davis (who wrote the title track), Buddy Guy, Albert King, and Jimi Hendrix. His own contemplative "Lenny," a tribute to his wife at the time, also suggests a jazz-fueled complexity that would infuse his later work. --Ted Drozdowski Editorial Descriptions are usually submitted by the manufacturers, publishers and authors. Contact us if you are one of them, and wish to change the above description. |
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Author: Guest
For an SACD, this fills the room with one of SRV's best albums.
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Author: Guest
The liner notes of this CD quote a 1981 spectator of Stevie Ray Vaughan and Double Trouble's live show: "It was like church."
That's exactly what it was like. I used to say it was "like a religion," some 25 years ago, for me to show up an hour early at Fitzgerald's in Houston, to be first in line when the club opened and get a table right in front of SRV's microphone. What I remember most vividly is his hands on his guitar. He didn't schmooze his audience; he didn't have much patter. Stevie Ray expressed himself through his fingers, and he poured out his soul.
I think he knew very well that one night, my hand was regularly moving in my purse because I was starting and stopping a tape recorder. According to SRV, he was then stuck in a recording contract with someone who would release neither an album nor him from the contract. I listened to that bootleg frequently between his live appearances. (Don't ask: I no longer have it and wouldn't copy it if I did.)
Thus I can "Testify" that the cuts on this first album faithfully replicate the sound of his performance of these songs. Nothing is added - there are only bassist Tommy Shannon and drummer Chris Layton ably anchoring SRV's guitar - and nothing is taken away. If the trio required more than one recording for each of these tracks, it was only to choose among SRV's brilliant improvisations.
The liner notes from the follow-up album, COULDN'T STAND THE WEATHER, emphasize SRV's macho appearance as this Texan blasted away a New York City audience. "Macho" is not what SRV was like. He had a slight build. He was soft-spoken. The last cut on the original issue of TEXAS FLOOD, a tribute to SRV's wife, is exquisitely tender, the opposite of macho - in front of God and everyone! SRV played not to impose himself on his listeners but to persuade. Which is ultimately much more powerful.
I learned only from the liner notes for the TEXAS FLOOD reissue that SRV is credited with igniting the 1980s blues revival. That's what a prophet is for, isn't it?
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Author: Guest
Like Berry, many of the tracks on this album sound alike.
That said, it's classic.
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Author: Guest
This is one of the finest blues albums to be produced in the past 25 years. Right off the bat from the blistering 'Testify' to the classic 'Mary Had a Little Lamb' to the closing jazz influenced 'Lenny' you know this album is going to be something special. SRV & TD are found here as a trio and you would be hard pressed to find a tighter band. This album is a little more striped down and more bluesy then SRV latter works. This and 'In Sessions' with Albert King are probably Stevie's best blues albums.
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Author: Guest
saw hendrix,have seen clapton-stevie was the best i ever saw-saw him every tuesday night for 2 years as a member of paul ray and the cobras-tequila night at soap creek saloon as he was mastering his craft and nose diving his body-last time i saw him was new years eve at the ritz in nyc the year he would die way too early.he was then clean and as good as ever. texas flood may be his best-raw and overwhelming-anybody looking for a blues guitar master-look no further.by the way,stevie could play a little hendrix himself
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